Alessandro Balteo‑Yazbeck
b. 1972, Caracas — based in Berlin
Critically engages propaganda, global power, oil economies, and the politics of cultural production through archival research, installation, sculpture, photography, and film.
For the TD Bank Curated Spotlight at NADA Miami 2025, Kate Wong and El Consulado NYC present a concept‑driven dialogue between Alessandro Balteo‑Yazbeck and Ana Alenso.
Balteo‑Yazbeck and Alenso probe the political economies and ecologies of oil, staging a dialogue between archival counter‑histories and material evidence of extraction.
Together, they expose how narratives of progress—engineered through diplomacy, propaganda, and corporate power—collide with the lived aftermath of extractivism.
Alessandro Balteo‑Yazbeck and Ana Alenso share a deep investigative approach into the political, economic, and environmental consequences of oil extraction and global power systems, drawing specifically from Venezuela’s petro‑history as a point of departure. While each artist approaches these themes with distinct methodologies, their practices intersect across shared critiques of extractivism, modernity, and geopolitical power.
b. 1972, Caracas — based in Berlin
Critically engages propaganda, global power, oil economies, and the politics of cultural production through archival research, installation, sculpture, photography, and film.
b. 1982, Caracas — based in Berlin / itinerant
Investigates extractivism’s paradoxes and petroculture across video, photography, assemblage, and installation, often using industrial debris and infrastructure.
Conceptual Synergy. Together, Balteo‑Yazbeck and Alenso generate a critical dialogue on extractivism and power—one working through the discursive reconstruction of history, the other through embodied material realities. Their work exposes the ways systems of control—economic, political, and ecological—unravel societies and shape human experience. Their joint presentation creates a space where Cold War oil diplomacy meets contemporary extractive collapse; narrative meets matter; intellectual critique meets visceral urgency; and history meets aftermath. This shared terrain produces a powerful political ecology of art, making their pairing not just coherent but compellingly necessary.
— Helwing Villamizar
Booth programming and artwork list will be announced closer to the fair dates. For preview requests or press materials, please get in touch.