artists

Visual artist born in Venezuela and based in Paris. Her work combines digital collage and contemporary lenticular and fine art printing techniques, creating pieces that invite movement, playfulness, and introspection. Through images that change with light and perspective, Gabriela offers visual experiences that spark curiosity and connect emotionally with the viewer. Her work focuses on memory, uprooting, and hope, exploring how art can become a bridge between past and present, individual and collective. She has exhibited in venues across Europe and the United States, and her pieces form part of private collections. She collaborates with collectors, architects, and interior designers, adapting her works to unique projects and exploring original formats that transform spaces. For Gabriela, her series are a living experience that generates dialogue, identity, and emotion.

Muu Blanco (born in 1966 in Caracas) is a Venezuelan & EEUU Citizen, multidisciplinary artist known for his work in visual arts, music, and performance. In 2002, he completed a theoretical and practical master’s degree focused on the system of representation in contemporary art at the Armando Reverón Institute of Higher Studies in Plastic Arts. His visual work includes painting, sculpture, video art, and photography, characterized by a conceptual approach and strong social critique. As a musician, he has been involved in various projects blending electronic music, rock, pop, and sonic experimentation. He has exhibited in museums and galleries across the Americas and Europe, including the Museum of Contemporary Art of Caracas, the Lowe Art Museum, and the Venice Biennale. Renowned for his continuous innovation, Muu Blanco constantly explores new media and formats, challenging artistic conventions. He remains a key figure in contemporary Latin American art.

I’m Claudia Echeverria, also known as CLoD—a Venezuelan-born artist living and working in New York. I was raised near the Venezuela-Colombia border, surrounded by the textures, rituals, and quiet strength of Wayuu culture. My work is rooted in emotion, memory, and the urge to make sense of what stirs inside me. I paint to understand. To sit with discomfort. To remember. To release. My style—TribalPop—blends ancestral symbolism with contemporary abstraction. It’s intuitive, layered, rhythmic. Some pieces arrive wild and raw; others, quiet and composed. I’m not after perfection, but I care deeply about precision—about listening closely to what wants to be seen. Before this, I lived many lives. I produced television. I traveled. I questioned everything. And somewhere along the way, painting found me—not as a career, but as a way to stay present, awake, and alive. More than a decade in, I’m still in awe of what reveals itself when I let go. My work lives in the in-between: joy and grief, shadow and light, memory and invention. If it stirs something in you, then we’ve already met.

He studied drawing, painting and sculpting in the Cristobal Rojas School of Arts and in the Armando Reveron Institute of Visual Arts in Venezuela. In 1996 Ovalles-Ar became a resident of London for 6 years, where he studied drawing and painting in Westminster College; video art in the Camberwell School of Art and art and computing in the Tower Hamlet College. In 2005 he presented the individual exhibit Karakas in Office #1. In 2006 he received the 1st place in the XI Salón CANTV de Jóvenes with FIA and participated in a group exhibit Anxiety of the Influence, Wight biennial in the UCLA New Wight Gallery in Los Angeles. In 2007 he participated in the IX Francisco Narvaez Biennial of Sculpture in the island Margarita where he received an honorary mention. During 2008 he had an individual exhibit Area Typo in the Fernando Zubillaga gallery in Caracas and participated in a collective presented by Office #1 in ArteBA, in Buenos Aires; in Reflect/Refract in the Rich Gallery in London and in PINTA, Latin- American Contemporary Art Fair in New York City. During 2009 he participated in the exhibits Vision Constructiva in the GBG Arts in Caracas, Salida de Emergencia in Exis, Bogotá and in Espacio Diverso with La Casa in Quito, Ecuador. In 2010 he was present in the Venezuelan Pavilion in the Shoe Gallery in London and in Friends in the Cometa Gallery in in Bogota. . In 2010 he was present in the Venezuelan Pavilion in the Shoe Gallery in London and in FriendsintheCometaGalleryin inBogota. During 2011 he was included in La Otra, in the Alternative Art Fair in Bogotá. During 2012 he started the project Historiografía Marginal del Arte Venezolano with other Venezuela visual artists with presentations in various spaces in the city of Caracas. In 2013 he participated in a curatorial conception in Museable/ No Mueseable. In 2014 he was invited by the curator Jose Roca to compete in individual projects by PArC ian Lima where he received the price of best proposal. In May 2015 he got residency in Flora Ars Natura, Honda Colombia as a winner of the Beca PArC Scholarship and in June 2015 he was presented in the Flora Ars Natura gallery in Bogota and a solo show presented in Jacob Karpio Gallery called “Políticas de la contingencia”, in 2018, February 2020 colective exhibition “Traducciones” at Plural Nodo Cultural Bogotá and in November 2021 an individual exhibition at Galería Elvira Moreno “Utopian Inmaterialities”, 2022 is invited by the curator Gabriela Rangel to participate at REFERENTES section at ArtBo and SITIO section, 2022-2023-2024 has been represented at the Zona Maco Art Fair by the Galeria Elvira Moreno

Marco Antonio Guerrero (Caracas, Venezuela) is a Fine Art photographer and director of photography based in New York. His work stems from a silent observation of the world—bodies, structures, and landscapes where form exists on the verge of disappearance. He has lived and worked in various countries, including Argentina and the United States, which has shaped his attentive gaze toward distance, geometry, and light as a physical substance. Working in medium format with 120 mm film, he explores the permanence of the instant and the restrained beauty of reality. His work, marked by a sober aesthetic and formal precision, is part of private collections and international projects.

Comic book artist and writer (Borlo Comix Vol. 1, Oingo Boingo Rock and Roll Biography, El Horror Es Su Divisa, El Día Que Me Pilló Mi Abuela Con La Burra De Mi Tío). Visual artist, painter, and DJ. Born in Terrazas del Club Hípico during the good times — the final year of the seventies — and raised among beasts in the dying democracy of the century’s end. He has lived in Los Angeles, CA since 2002, working as a storyboard artist, concept artist, and designer.

Carlos J. Gómez de Llarena (b. 1974, Venezuela) is a media architect who works with physical and digital experiences that shape social interaction and our perception of space. He works with installations, video, sound, net art, and programming. His work has been exhibited at Ars Electronica, Eyebeam, the Museum of Contemporary Art of Caracas, ZKM, and ResFest, among others. His education and career combine architecture, video, and interactive media. In 2003, he received the Golden Nica Award from Ars Electronica for one of his interactive projects, Node Runner. He currently lives in New York, where he works as an artist and interactive designer.

Enriqueta Ahrensburg (unauthorized autobiography) I was born in Paris on March 30, 1973, though half of me already came from Venezuela and the other from a German forest I’ve yet to set foot in. At sixteen I returned to Paris —out of hunger for art, for that ancient thirst that never heals— and studied at the Académie de Port-Royal, like someone peering into the abyss with pencil and charcoal. Then I went back to Caracas and graduated from the Armando Reverón School of Fine Arts. My thesis, Pictorial Constructions In Situ, was presented at the Arturo Michelena Salon, where I received the Harry Lippins Award. Those are, let’s say, my noble titles. The rest of my résumé has unfolded inside my studio, in my inner world, among paintings, domestic rituals, and thoughts that don’t fit on a gallery label. I have exhibited, yes— in a few group shows, in a few solo ones. But the essential part has never been hung. Because my work—if it can be called that— has not merely been about making images, but about building a worldview, a language of my own that speaks from the invisible. I work with symbols and pigments, in a studio that is also a threshold, searching for the crack, the hidden sign, the form that cannot be seen with the eyes. For this world—of forms, objects, and showcases— is but a surface, a prison of five senses. And I have always been on the other side of the glass, wondering what lies beyond what they call “reality.” My work is a kind of attempt, a discontinuous writing with what has no name, a travel diary through worlds not found on maps. And if I have achieved anything, it is this: to have held onto that invisible thread, without cutting it completely, nor losing myself entirely in the noise.

Corina Lipavsky is a Venezuelan-born/Miami-based digital artist whose work explores the intersections of art, technology, and nature. Using language-driven generative tools (code and AI), she creates audiovisual pieces, prints, and interactive installations that imagine post-human and more-than-human futures. Her recent series investigate hybrid organisms, speculative ecologies, and symbiotic imaginaries as ways to challenge anthropocentric narratives. Her work has been exhibited internationally and featured in both physical and digital art spaces. Ultimately, she sees technology as a tool for reimagining possible futures—spaces where diverse forms of intelligence, agency, and collaboration can emerge. Through her practice, she aims to create work that is not only reflective but also generative, fostering new ways of sensing, listening, and coexisting in an entangled world.

Lara Alcántara Lansberg is an award-winning Venezuelan-American multidisciplinary artist and photographer based in Brooklyn, New York. With a Master of Fine Arts (MFA) from the joint Bard College/ICP program, her work fuses conceptual photography, performance, and narrative, creating powerful visual statements centered on identity, transformation, and femininity. Inspired by her Latin American heritage and theatrical training, Lara’s work is distinguished by its profound symbolism, surreal compositions, and emotional resonance. Her photography has received international recognition, earning awards such as the Julia Margaret Cameron Gala Award, the Budapest International Foto Awards (BIFA), and the Hispanic American Award for Photography. Her works are part of major private and institutional collections, including those of Lady Gaga, the Museum of Contemporary Art of Venezuela, and the IESA institution in Caracas. Currently, Lara is participating for the second time in the exhibition 'Surprise' at the Lehman College Art Gallery, sharing the space with iconic figures such as Irving Penn, Christo and Jeanne-Claude, Andy Warhol, William Wegman, and Keith Haring. Her previous exhibitions include renowned Chelsea galleries such as Nohra Haime Gallery on 22nd Street and Generous Miracles Gallery. Her reach transcends the contemporary art world, extending into luxury and editorial fashion spaces. Recently, she completed a major rebranding campaign for the legendary French luxury house Baccarat, which will unfold throughout the year. Her work was featured on Baccarat’s website as part of its series dedicated to emerging visionary artists, where her dreamlike and cinematic images capture the spirit of crystal as a magical and transformative element. Lara’s creative voice has also been featured in magazines such as Vogue México, Elle España, and Ocean Drive, and she led a conceptual photography campaign for singer Lana Love in collaboration with the Times Square Alliance. Her ability to construct narratives through visual metaphors has positioned her as a singular and highly sought-after artist, whose work deeply resonates with both collectors and brands. Whether through contemporary art, editorial photography, or collaborations with luxury brands, the work of Lara Alcántara Lansberg invites the viewer to pause, reflect, and feel—bridging the intimate and the iconic in every image.

Alessandro Balteo-Yazbeck’s artworks are connected to current political events, which he uses to question propaganda strategies employed to convey values such as freedom, prosperity, security, and utopia, interweaving these principles with oil policies and global economic ties. Working in a variety of media, including photography, film, installation, and found materials, his discourse juxtaposes disparate elements from a variety of disciplines and sources in order to contextualize historical problems, from the Cold War to oil exploitation in present-day circumstances. On this interesting basis of reflection, his works become “poetic documents,” exposing shadows, cracks, and perverse moments in specific situations that reveal multiple layers of meaning and connections fraught with tension. At times, Balteo-Yazbeck refers to or incorporates the works of other artists, like Alexander Calder, as a counterpoint to his own discourse. Born in 1972, Balteo-Yazbeck graduated in Fine Arts in his native city – Caracas, Venezuela, where he extensively exhibited his work, and later moved his practice to New York from 2000 to 2010. He is now based in Berlin.

Ricardo Picón is a Venezuelan photographer and multidisciplinary artist based in Brooklyn. His work explores the intersection of landscape, memory, and visual spirituality, using techniques such as infrared cameras, handcrafted lenses, and glass fractals. Since his beginnings in the 1990s with the electronic project EOE, his practice has evolved toward a poetic and sensory photography, deeply shaped by the emotional geography of Venezuela. His work has been featured in publications such as Vogue Accessories, The New York Times, and Architectural Digest, and he has collaborated with firms like Sotheby’s and Compass. In his most recent series, Caribe Oscura, Picón intertwines experimental photography and sound archives to evoke a dreamlike, vibrant, and ghostly Caribbean.

Ronald Monahan, known artistically as Ron the Killer, is a multidisciplinary artist and designer based in Los Angeles. His creative universe combines urban art, animation, and technology under his brand Streetoon, a fusion of “street” and “cartoon.” Through installations, 3D sculptures, augmented reality stickers, and motion graphics, Ron explores themes of identity, surveillance, and positive energy, represented by his iconic character Mr. Bones, a skull that symbolizes equality beyond appearances. His Smile to Camera series transforms the concept of being observed into a reflection on consciousness and connection in the digital age. In addition to his artistic work, Ron is the founder of The Tropical Portal, a visual company dedicated to creating motion graphics and LED screen content for international concerts and events. With over 14 years of experience, he has collaborated with artists and brands such as Justin Bieber, Paul McCartney, Post Malone, Subaru, and Netflix, creating immersive visual experiences worldwide. His work has been exhibited at 111 Minna Gallery (San Francisco), Superchief Gallery (Los Angeles), DesignerCon (Las Vegas), and in public installations in Los Angeles and Miami. His work flows between the street, the screen, and the stage—always with a mix of energy, humor, and human connection.

Juan Henriquez (b. 1980, Maracaibo, Venezuela) is a visual artist whose practice explores painting, drawing, mixed media, and collage, working primarily in large-scale formats to navigate expressionist abstraction. He began his art studies in 1995 at the Julio Árraga Art School and later at the Neptalí Rincón Superior Art Academy in Maracaibo, Venezuela. Henriquez further expanded his knowledge through workshops in experimental graphic arts, lithography, photography, literature, and dance. As a co-founding member of La Tintota Art Collective, he developed public art projects, art labs, and group exhibitions under the mentorship of surrealist artist José Ramón Sánchez and art critic and writer Víctor Fuenmayor. His work has been showcased in national and international exhibitions across Belgium, Romania, Brazil, Argentina, Colombia, Peru, the Dutch Caribbean, and the United States. In 2002, he was awarded the Young Artist Award at the 27th National Art Salon of Aragua in Maracay, Venezuela.

“Ascension through Sensory Stimulation.” Mau Ceppi is a visual artist and founder of Funktaxi 1533, a renowned NYC-based collective specializing in experiential and visual arts. With over 25 years in the field, Mau has revolutionized the electronic music and nightlife scenes, creating immersive environments that merge art, technology, and sensory stimulation. His work has graced world-class venues, galleries, museums, and festivals, pushing the boundaries of visual storytelling. Funktaxi’s installations and exhibitions have been featured at prestigious institutions such as the Museum of Contemporary Art in Caracas, Venezuela (twice) and the Christian Dior Biennale. His art has captivated audiences in galleries including Here Gallery (NYC), Anthology Film Archives Gallery (NYC), and Purple Gallery (LA). Notably, his collaboration on the “Lake of Red” video was selected for both the Cannes Short Film Festival 2020 and the Montreal Film Festival 2020. His artistic imprint spans iconic venues such as Limelight, Tunnel, Webster Hall, Twilo, Verboten, and Avant Gardner. Mau has designed and performed at prestigious events such as the Star Wars: Attack of the Clones Premiere, private parties for Jay Z, Missy Elliot, and Moby, and the Amazonia Project Fashion Show in Paris. He has worked with international music icons, from Carl Cox to The Roots, creating visual symphonies that resonate with audiences worldwide.

Nayari Castillo-Rutz, based in Graz, Austria, is a Venezuelan-born independent installation artist focusing on interventions in public space and collaborative, socially engaged art. As part of her artistic practice, she has developed numerous international art projects in various roles, including artist, coordinator, and curator. Art publication and experimental documentation are also among her interests. In her artwork, Castillo-Rutz explores space as material by confronting different elements through installation. Using text, objects, photography, architectural solutions, and video, her installation work relies on site-specific constructs firmly attached to ideas of travel, memorialization, inclusion, and dialogue. Most of her interventions engage with history, personal experiences, time, and place, establishing a semantic field where tools and ideas, devices and forms, combine in a unified discourse.

Iván Candeo was born in Venezuela in 1983 and currently lives in Barcelona, Spain. From a young age, he was part of an independent study group comprising Venezuelan artists from various generations. In 2008, he earned a degree as a Professor specializing in Visual Arts. He participated in the Lugar a Dudas artist residency directed by Colombian artist Óscar Muñoz in Cali, Colombia. In 2014, at Casa sin fin Gallery in Madrid, he presented his first solo exhibition in Spain, titled 'Identity and Rupture.' Some of his video works are included in the audiovisual archive HAMACA, Media and Video Art Distribution from Spain. That same year, he completed a Master’s degree in Comparative Studies of Literature, Art, and Thought at Pompeu Fabra University in Barcelona, and he is currently pursuing a PhD in Advanced Studies in Artistic Production at the University of Barcelona. His solo exhibitions include 'Hay un Goya en la sopa' (There’s a Goya in the Soup), Alarcón Criado Gallery, Seville, Spain (2022); 'Sin acto' (Without Act), Carmen Araujo Arte Gallery, Caracas, Venezuela (2018); 'Correspondencias del ultramar' (Overseas Correspondences), Sala Mendoza, Caracas, Venezuela (2017); and 'Corte en movimiento' (Cut in Motion), Oficina #1, Caracas, Venezuela (2015).

Rosa Gabriela Chávez Rincón (Caracas, 1989) is a visual artist, educator, and cultural manager. She holds a degree in Education with a specialization in Technical Drawing and a Master’s in Photography and Artistic Projects (PHotoESPAÑA, Madrid). Her practice explores analog and experimental photography, installation, and visual poetry. She has developed an international trajectory with exhibitions in Venezuela, the United States, Mexico, and Spain. She is the co-founder of El Avispero Art (Venezuela) and director of Rosca (Spain), combining cultural management, production, and curatorial work. Her most distinctive technique, the “photofold,” creates pieces that dialogue between image, void, and materiality. Her practice connects traditional and contemporary knowledge, generating experiences in which photography becomes a tool for dialogue and social transformation. Recently, she received the 25th L’Escala Spring Grant (Spain) and was a finalist for the Vila Casas Foundation Photography Award (Spain). Portrait credits: Jahel Guerra.

Álvaro Segura (Caracas, 1967) is a guitarist, composer, and visual artist whose trajectory bridges music, art, and technology. He was a founding member of the iconic Venezuelan band Zapato3, a group that defined a generation. Internationally, he has worked as an FX Houdini Artist for major studios such as MPC, Blur, and Sony Imageworks. As a visual artist, he has exhibited in Paris, Monaco, and Madrid, gaining recognition for his poetic and atmospheric style. His current solo project fuses expressionist rock, poetry, and monumental projections created through advanced digital simulations. Living between the U.S. and Venezuela, Segura continues to explore new artistic forms that connect emotion, innovation, and memory.

Born in Caracas, Venezuela, in 1970, Ángela Bonadies is an artist whose work explores the notions of duration and memory—what endures, what fades, and what exists 'out of place.' Her practice begins with photography and expands into other media such as writing, drawing, and installation. Her exhibitions include 'Una voz / Una imagen,' Centro Cultural de España en México (2025); 'Cine Ciego,' La Capella, Barcelona (2024); 'En las entrañas de la bestia,' La Virreina Centre de la Imatge, Barcelona (2022); Bienal de Cuenca (2020); Ciutat de Palma Prize (2020); 'La pesca,' Freijo Gallery, Madrid (2019); 'Cruzando la línea,' Cinemateca Distrital de Bogotá (2019); Santa Fe SITElines 2018 Biennial; 'The Matter of Photography in the Americas,' Stanford University (2018); 'A Universal History of Infamy,' LACMA and 18th Street Arts Center (2017); 'West Side,' Abra Caracas (2016); 'La bestia es el soberano,' WKV Stuttgart and MACBA (2015); and 'Global Activism,' ZKM Karlsruhe (2013).

Marylee Coll (Caracas, 1957) is a visual artist with studies at the Cristóbal Rojas School of Art, The Students Art League, and the Accademia di Brera. Since 1989, she has developed a long-term exploration of color, materials, and form, with over 30 years of artistic practice. Her work includes solo and group exhibitions, as well as public art interventions. Since 2010, she has also focused on photography, presenting the solo show 'Inanimados,' curated by Félix Suazo, at El Anexo, Caracas (2013); and 'Testigos del desarraigo,' curated by Ruth Auerbach, at Beatriz Gil Gallery, Caracas (2018), later featured as a Solo Project at Pinta Miami (2018). A book of the same title was published, with text by Ruth Auerbach and graphic design by Gisela Viloria. In 2019, she began the ongoing photographic series '#algunasfachadasdecaracas,' comprising over 6,000 images. Part of this body of work is featured in 'Caracas Frontal' (March–June 2025), at Sala TAC, Trasnocho Cultural, Caracas, curated by Ruth Auerbach and Franco Micucci.

Gerardo Rosales (b. Venezuela, lives and works in Houston, TX) is a multidisciplinary artist whose vibrant, ornamental paintings draw from folk traditions, religious iconography, and decorative craft to explore the intersections of race, class, gender, and sexuality. His work has been exhibited widely across Latin America and the United States, including the Contemporary Art Museum Houston, The Moody Center, and the Museo de Arte Contemporáneo de Caracas, and is held in collections such as the McNay Art Museum, Colección Patricia Phelps de Cisneros, and the Houston Endowment. Formerly a self-taught artist, Rosales earned his MFA from Chelsea College of Art in London and spent over two decades as an arts educator in Houston.

Parque Industrial is an interdisciplinary musical project developed in Caracas since November 2023. It is composed of Ross Bermúdez (bass), Lisandro Castro (vocals), Hugo Mármol (drums), and Luis Arroyo (guitar). The proposal centers on the sonic performance of an art-rock band alongside parallel aesthetic practices such as site-specific installations and graphic editions. Through Parque Industrial, the group explores the complex relationships between the human, the mineral, and the animal, addressing themes and questions linked to nature within the political and cultural history and memory of Venezuela. Their work aims to construct a poetics around geographies, imagined armies, and their possible revenges.

Luis Accorsi has been surrounded by art his entire life, coming from a family of important art collectors. He has owned several galleries, served as a museum director, and painted throughout his life. He holds a Fine Arts degree from the University of Miami (UofM). In addition to his visual art practice, Accorsi has been a lifelong musician and is the founder and frontman of the New York City rock band Toxic Tito.

María Teresa Govea-Meoz, also known as Marithe Govea-Meoz, is a visual artist, curator, and Executive Director of the Govea-Meoz Foundation. Born in Maracaibo, she graduated as a Technical Accountant and Museologist and has been active in the art world since 1991. Her multidisciplinary practice spans goldsmithing, foundry and alloy techniques, conservation, museography, photography, sound art, and video art. Throughout her career, she has curated more than 98 exhibitions nationally and internationally and participated in over 85 group shows, along with five solo exhibitions. Her work is included in the Luciano Benetton Foundation’s *Imago Mundi* collection, as well as in the collections of MACZUL (Museum of Contemporary Art of Zulia) and the Govea-Meoz Foundation. A founding member of the multimedia room at MACCSI, she received third place at the XVII Luisa Palacios Biennial of Graphic Miniatures (TAGA). She currently develops projects for digital platforms and cultural institutions while sharing her professional and creative life between Caracas and Barcelona.

MIKIHUMO is an emerging multidisciplinary artist from Caracas, Venezuela, now based in Miami. His practice bridges art, architecture, and technology, with a distinctive focus on volumetric forms and the transformative power of light. Trained as an architect, he brings a spatial sensibility into his artistic work, creating immersive environments that merge structure, movement, and perception. In addition to his independent projects, MIKIHUMO has contributed to the realms of stage design and projection mapping, collaborating with musicians, performers, and other visual artists to expand the boundaries of live experience. His work often dissolves the line between the physical and the digital, inviting viewers to step into sensorial landscapes that are both futuristic and deeply human. His recent works have been showcased internationally, with features in The New York Times, Art Miami, L.A. Art Show, Burning Man, and Miami Music Week, among others. Through these platforms, MIKIHUMO continues to explore how art, light, and technology can reimagine space and engage collective imagination.