Parque Industrial

These three prints originate as performance posters created by Parque Industrial, an interdisciplinary art-rock project based in Caracas. Each poster was conceived not only as promotional material but as an extension of the group’s aesthetic and conceptual world—objects where music, visual art, and speculative ecology converge. The prints combine surreal animal-human figures, botanical environments, and symbolic motifs to explore the shifting relationships between nature, memory, and cultural history in Venezuela. The poster for Canciones del Oso Andino (2025) reimagines the Andean bear as a dynamic performer suspended in mid-movement, reflecting a live session at El Buscón Acústico that blended intimate musical improvisation with ecological mythology. The second print, Cansados de las Islas (2024), interprets a performance inspired by the poetry of Aurelio Sol, portraying a canine-headed figure contemplating island maps under a luminous moon—an image of drift, isolation, and imagined geographies. The third, Fauna Cristal (2024), centers on a crystalline fox, evoking the fragile brilliance of Venezuelan fauna and the spectral animal presences that haunt the group’s work. As a series, the prints function as both documentation and autonomous artworks: they extend Parque Industrial’s ongoing inquiry into the human, the mineral, and the animal, transforming each performance into a visual mythology that stands on its own within the broader practice of the collective.