MIKIHUMO

MIKIHUMO is an emerging multidisciplinary artist from Caracas, Venezuela, now based in Miami. His practice bridges art, architecture, and technology, with a distinctive focus on volumetric forms and the transformative power of light. Trained as an architect, he brings a spatial sensibility into his artistic work, creating immersive environments that merge structure, movement, and perception. In addition to his independent projects, MIKIHUMO has contributed to the realms of stage design and projection mapping, collaborating with musicians, performers, and other visual artists to expand the boundaries of live experience. His work often dissolves the line between the physical and the digital, inviting viewers to step into sensorial landscapes that are both futuristic and deeply human. His recent works have been showcased internationally, with features in The New York Times, Art Miami, L.A. Art Show, Burning Man, and Miami Music Week, among others. Through these platforms, MIKIHUMO continues to explore how art, light, and technology can reimagine space and engage collective imagination.

Artworks (1)

This book exposes how technology and social media companies have transformed human life into raw material for profit. By harvesting data, manipulating attention, and enforcing cycles of planned obsolescence, they have built modern empires that rival nation-states in power. But the story doesn’t end with exploitation. This is also a manifesto for liberation: a vision of data democracy and a call for a Data Revolution where people reclaim ownership of their digital lives, their time, and their future. Written with urgency and clarity, this book seeks to open readers’ eyes — to make them see that their data is wealth, their attention is life, and their consent has been stolen. The message is clear: the system is not inevitable, and together we can dismantle it.

Artworks (1)

The Data Empire