Corina Lipavsky

Visual Artist

Miami

Corina Lipavsky is a Venezuelan-born/Miami-based digital artist whose work explores the intersections of art, technology, and nature. Using language-driven generative tools (code and AI), she creates audiovisual pieces, prints, and interactive installations that imagine post-human and more-than-human futures. Her recent series investigate hybrid organisms, speculative ecologies, and symbiotic imaginaries as ways to challenge anthropocentric narratives. Her work has been exhibited internationally and featured in both physical and digital art spaces. Ultimately, she sees technology as a tool for reimagining possible futures—spaces where diverse forms of intelligence, agency, and collaboration can emerge. Through her practice, she aims to create work that is not only reflective but also generative, fostering new ways of sensing, listening, and coexisting in an entangled world.

Artworks (5)

"Floridianas" and "Botanica Lucida" bring together two recent bodies of work that extend my ongoing research into interspecies communication, speculative biology, and the aesthetics of hybridity. Both imagine organisms that defy categorical boundaries—neither plant nor animal, neither male nor female, neither strictly photographic nor illustrative. Instead, these works inhabit a fluid, generative zone where distinctions dissolve and new forms of relation can take shape. "Floridianas" emerges from an attentive observation of Miami’s native ecologies. Through the fusion of local flora and fauna, the series proposes a constellation of fantastical lifeforms that echo the region’s vibrant, unpredictable environment. "Botanica Lucida" expands this exploration into an imagined taxonomy of improbable entities. Luminous and enigmatic, these organisms celebrate the beauty of intermingling—suggesting that life’s richness lies in its crossings, "contaminations," and unlikely alliances. Created through AI-assisted generative processes, both bodies of work use emerging technologies as tools for speculative thinking. Rather than illustrating scientific truth, they propose alternative ecologies—spaces where organisms evolve beyond human-centered classifications and where the boundaries between species, mediums, and identities become porous. Together, they invite viewers to contemplate hybridity as an aesthetic, ethical, and imaginative force capable of opening new ways of seeing—and being—in the world.